'The Indian Right can afford to be rigid; but as liberals, our position has to be one of constant evolution, or else death awaits us,' argues Sreehari Nair.

Bharat is nothing more than a reflection of the times we are living in: where we expect our heroes to be flawless, virtuous fellas -- it is our current national disease.

It is the two women directors in Shuruaat Ka Twist who end up making the best films, feels Sreehari Nair.

'What we have is 'masala redeemed' as opposed to just 'masala resurrected',' argues Sreehari Nair.

After 20 plus years of threatening to offer us new sensations, Nagesh Kukunoor has finally let it rip, raves Sreehari Nair.

De De Pyaar De is a Radio Play being passed off as a Motion Picture, says Sreehari Nair.

At its core, Criminal Justice is a tale of small miscalculations leading to grave consequences, feels Sreehari Nair.

'Made in Heaven plays well as a busy show; when it's hip, but without being hopeless,' feels Sreehari Nair.

'Kumbalangi Nights is a movie that respects women, but most importantly, it's a movie that loves them,' says Sreehari Nair.

'Ek Ladki Ko Dekha Toh Aisa Laga is a step backward for the portrayal of female camaraderie in our movies,' argues Sreehari Nair.

Soni is a soft treatment of a very complex subject, feels Sreehari Nair.

Though it is a little too neat and a little too light, Rubaru Roshni is important because it is telling us stories of people who have experienced an 'Inner Migration' in their lives, notes Sreehari Nair.

...A hate letter to our system, feels Sreehari Nair.

'His sin was that he made public a certain lifestyle that was to be kept within the confines of those sweaty dressing rooms,' says Sreehari Nair.

'A big reason for its low recall value is that Rangbaaz's colourful characters are all essentially punks,' feels Sreehari Nair.

Sreehari Nair picks the top performers of 2018.

Sreehari Nair is *not* impressed by this lot of films at all.

Sreehari Nair picks his top 10 movies of 2018.

What holds It's Not That Simple together is the cast; performers who frequently rise above their stodgy lines to bring something personal to the table, notes Sreehari Nair.

'Wasn't there a single person below 30 in the whole production team? I wondered aloud at different points in the narrative,' notes Sreehari Nair.